Demetia (De-Meet-Ah) Hopkins-Greene, 29, began her career at age 4, when she started training at her
 uncle’s
 studio in Virginia. Although she practiced jazz, ballet, hip-hop, tap, 
and even Irish step, ultimately landing an eight-year tenure dancing 
with the Alvin Ailey Dance Companies, she’d never dabbled in nude 
dancing until she was approached by famed photographer Jordan Matter for
 a book project known as Dancers After Dark.Here’s how the 
self-proclaimed introvert found herself posing naked in the middle of 
New York City’s Fifth Avenue.
You’ve never modeled naked before, so what made you agree to do it?
The
 opportunity came to me around the same time I was considering leaving 
Alvin Ailey to spend less time traveling, and Jordan Matter’s mission 
statement really spoke to me: It said, “take the leap and the net will 
appear.” I felt like taking this leap could help bring me a step towards
 being a little braver and bolder in my career.
But
 I was still unsure about posing naked — as an introvert, it's not in my
 character and it's not something I ever thought I’d do — but I went out
 with a group of Alvin Ailey dancers who'd agreed to pose for Jordan's 
nude night series just to help hold the lights and supervise their form.
 Throughout the night, I was so inspired by watching how brave everyone 
was and how comfortable they were with their bodies that I decided to do
 a pose. As dancers, we’re so hard on the way we look and constantly 
critiquing ourselves. Dance is so personal, with your body being part of
 the art. It was just so empowering to see all of these artists bare 
themselves. My first shoot was in a quiet courtyard in Paris with 
another dancer and a rose, which didn’t make it into Jordan’s book.Were 
you really 100 percent naked?
I was totally naked, no nipple 
covers or anything. I didn’t give Jordan any rules about what to 
photograph, but he did give me the freedom to pick my pose, so I chose 
to jump in a way that would cover me.
Logistically, how does a nude public photo shoot work?
I
 go fully dressed wearing a long coat. Once we choose the location, 
Jordan and his team sets up the lighting, we practice the pose, and 
within 15 or 20 minutes, we’re ready to take the shot. For the New York 
City photo you see in the book, we shot outside a hotel where the 
doorman there let me get undressed right inside. I went out wearing 
nothing but my winter coat and boots. When Jordan was ready, I stripped,
 kicked off my boots, and ran toward the spot where lighting was set up.
 It was cold out there, so I did as many jumps as I could in 30 seconds 
to give Jordan as many shots as he could grab, and then ran back to put 
my boots and coat back on while he looked at the shots he got. I 
probably did that about three times, and three more times when we went 
out to recreate the moment to make this video:
 
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